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She went back to her little house; her friend the Frog came to her: "How unhappy you are!" she said to the Queen. "Alas! who would not be so, dear friend? The fairy has ordered a bunch of the most beautiful flowers, and where am I to find them? You see what sort of flowers grow here; my life, nevertheless, is at stake, if I do not procure them for her." "Dear Queen," said the Frog in tender tones, "we must try our best to get you out of this difficulty. There lives a bat in this neighbourhood, the only one with whom I have made acquaintance; she is a good creature, and moves more quickly than I can; I will give her my cap of roses, and aided by this, she will be able to find you the flowers." The Queen made a low curtsey; for there was no possible way of embracing the Frog. The latter went off without delay to speak to the bat; a few hours later she returned, bearing under her wings the most exquisite flowers. The Queen hurried off with them to the fairy, who was more overcome by surprise than before, unable to understand in what miraculous way the Queen received help.,

“Thank you, sir,” the boy answered, “but I couldn’t sleep now. There’s too much excitement around!”,

Gentle and just,,

When they reached the high altar, the bier was rested, and in a few moments the anthem ceased. 'The Abate now approached to perform the unction; the veil of the dying nun was lifted—and Julia discovered her beloved Cornelia! Her countenance was already impressed with the image of death, but her eyes brightened with a faint gleam of recollection, when they fixed upon Julia, who felt a cold thrill run through her frame, and leaned for support on madame. Julia now for the first time distinguished the unhappy lover of Cornelia, on whose features was depictured the anguish of his heart, and who hung pale and silent over the bier. The ceremony being finished, the anthem struck up; the bier was lifted, when Cornelia faintly moved her hand, and it was again rested upon the steps of the altar. In a few minutes the music ceased, when lifting her heavy eyes to her lover, with an expression of ineffable tenderness and grief, she attempted to speak, but the sounds died on her closing lips. A faint smile passed over her countenance, and was succeeded by a fine devotional glow; she folded her hands upon her bosom, and with a look of meek resignation, raising towards heaven her eyes, in which now sunk the last sparkles of expiring life—her soul departed in a short deep sigh.

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To say which of the twain is master.,

“How did you manage it?” put in Bob, who was thrilled with the narrative.,

“Take great care of this—there is a good deal of money in it—and run down to Tellef’s grandmother with it at once. Say that it comes from Kingthorpe.”,

Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.